Wall Streamers and “Handy Dandy Notebooks” From Granny Chic

The handy dandy notebooks recipe comes from the Granny Chic book by Dottie Angel and Ted & Agnes. The idea is partially a way to reuse unused bits of paper or recycle old envelopes. So the first thing you need to collect is the stacks of paper you wish to reuse. When I am working at accounting jobs there are often unused pieces of paper, so I had a stack of unused pieces that I recycled. For fabric I used some old pieces of Liberty fabric that was pretty much swatches for upholstery or thicker household fabrics.

They do not have a recipe for streamers in the book. However, there are a bunch of pictures of them in the book itself. Plus in Dottie Angel’s Flickr photo albums there are enough pretty streamers draped across walls to make you want to create your own.

If you have basic sewing ability it is easy enough to figure out the streamers. If you are a real novice at sewing I can give you a few hints. You need a long piece of ribbon to hang your little bits of fabric scraps on after you have cut them into the shapes you desire. After that I found it easiest to sew a small zigzag hem on the little bits of fabric. Then attach them to your ribbon where you want them, with another zigzag stitch across, and remember to leave the edges open for space to hang the streamers.

If you get carried away or wish to make more elaborate streamers you may want to check out this video:https:/watch?v=er43ZIKEh64.  I also attached it to my DIY recycling videos page. Aya’s project is much more intense, but if you really want to get into streamers, since they are colorful and pretty then this is another route.

These two are small projects that don’t take a lot of time. They could also make nice gifts to send to people over the holidays. The little streamers are nice since they can quickly cheer up a bland-looking dorm room where someone has just moved in.

I haven’t gotten to more projects from this book just yet, other than the “quirky & jolly string,” which I made heart-shaped strings from, and the “perfectly peach half pinny” aprons, which are made of vintage fabrics, pillowcases and linens. Both of the links to those posts are attached to the bottom of this post. I also bought Simplicity’s Dottie Angel pattern 1080A in two sizes so before too long I can make dresses for my daughter and myself from Tif Fussell’s pattern. Tif Fussell is the creator of Dottie Angel. Both Tif and Rachelle Blondel, who are the authors of Granny Chic, previously had blogs. Rachelle now has another blog, Dock & Nettle. If you wish to see Tif’s previous blog posts from her blog they are at http://dottieangel.blogspot.com/.

Rachel Blondel’s current blog is at http://www.dockandnettle.com/.

If you wish to see her previous blog posts from “tales of ted & agnes,” they are at http://talesoftedandagnes.blogspot.com/.

I hope you enjoyed this post and are enjoying the beginning of fall. I have attached a small gallery again of pictures from the Granny Chic book.

 

All photos and written material by Marilyn Lavender. © Marilyn Lavender, 2015.  “All rights reserved.”

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Vintage Paisley Dress from David Owens Vintage Clothing

I found this lovely 1950’s Kenrole paisley print dress at David Owens Vintage at 161 Rivington Street, in Manhattan. I bought it when they were at 154 Orchard Street but I just saw an article online that they moved. I really liked that I could wear it year round, and that it had stripes in the design as well as paisley. Plus it is conservative enough that I should be able to wear it to an office when I find more work again. It was already on sale, yet there was another twenty percent taken off due to a national holiday. So I ended up with a really good deal and I just had to rearrange the positions of some of the vintage buttons, due to some of the rhinestones having fallen out.

The vintage bracelet with various colors of glass and crystals I bought at a garage sale years ago. The small champagne-colored glass and crystal earrings are from 1981 when I started making beaded hanging earrings and selling them. The little black belt I found after scrounging around at Green Village in Queens.

My friend Bill Bernthal took these photos of me for the blog before I had foot surgery. I haven’t been able to get out much the last month, as I am still recovering from foot surgery. Bill has taken a lot of candid shots in the past, those are what he typically chooses to photograph. Anyway, he wanted to take some shots of me for the blog. We went to Prospect Park and took a nice walk. There are some lovely wooded areas in the park, plus some seating areas near the water that offer lovely views of the lake and the birds at the lake. Those areas are very shaded though, so not the best for blog post photos. Bill took these out in the more open areas of the park. A few of the shots were taken in my community garden a couple of blocks away from where I live. There are a lot of auto body shops in my area, so they are in the background.

Several readers expressed that they wanted me to do another post on paisleys. I am working on one that has more facts and tidbits about the paisley pattern. I will post that one after I can get out and walk about again and get over to the David Owens Vintage shop to take some pictures of his vintage paisley collection. As of next week I should be able to walk outside again and go buy a pair of oxfords to wear for a while until I can wear my other shoes again.

I am so looking forward to getting out and enjoying fall. The past month of healing and staying home hasn’t been easy. My foot has been in pain for years though so the surgery was much needed and a great relief to get it behind me!!

I hope you are enjoying the changing of the seasons. Fall is one of my favorite times of year, as I really enjoy seeing all the beautiful colors as the leaves change, and then seeing those colorful leaves cascade down the streets. There is something sort of magical and calming about it all, as the nip comes back into the air and then winter prepares to blow in. I am not really the biggest fan of summer so that is where that sentiment comes from!

Outfit details

1950’s Kenrole dress from David Owen’s Vintage, New York, New York

Vintage black belt from Green Village, Brooklyn, NY

Vintage wrap bracelet from garage sale

Vintage earrings from 1981.  I made them years ago.

Black Dansko shoes

Blue socks from Muji, dropped yarn.

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8

 

All photos by Bill Bernthal. All written material by Marilyn Lavender. © Marilyn Lavender, 2015.  “All rights reserved.”

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Vintage & Retro Dress Up & Family Fun

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The Artistry of Melanie Steinway

I first found out about Melanie Steinway’s art through Emily Owens, my daughter. Melanie grew up in Boulder, Colorado, where it is an everyday experience to see animals roaming about, since the town itself is at the foothills of the Rocky Mountains. Melanie obviously developed a love for animals and nature. Her art is an expression of that love.

Melanie graduated from the Rhode Island School of Design in 2012, with a BFA in Illustration. Much of her art is done with woodburning (pyrography) and mixed media. The animals she draws vary from deer to African wild dogs, hyenas, foxes, fish, whales, and rams. It is a total variety and I like how she exaggerates horns on the animals, sometimes draping leaves on the horns, and often the pieces have a mystical sense of fantasy intertwined. She gets the wood for the pyrography from sawmills, or she gets scraps from furniture makers.

Melanie also does pyrography on instruments. I have posted two pictures of guitars she has done. “Stag Twins” is her first acoustic guitar, a Fender, which she has had since she was sixteen. “Deer Skull” is an old acoustic guitar owned by a friend’s father. Fender also sends some guitars to Melanie for woodburning, so you may be able to find her work where Fender guitars are sold.

Currently Melanie lives in Denver, Colorado, and works as a tattoo artist at Urban Element Tattoo. She is often commissioned to do private designs for tattoos. She also plays music in her indie rock band Tyto Alba. Even the name of the band comes from nature. Tyto Alba is the scientific name for barn owls. (1)This is a link to her band’s music: http://tytoalbamusic.com/.

All the photos of Melanie’s art here link to her website. There she has links to her Facebook page, Instagram, Tumblr, and Etsy shop. If you live in the Denver area you may be able to hire her for commissioned work.

I hope you enjoyed this brief exploration of Melanie’s work.

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“The Antlers” -woodburning, wood stain, media media on pine.

 

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“The Birds”- woodburning, wood stain, mixed media on pine.

 

“I Am Surrender”- woodburning, wood stain, mixed media on pine

 

“Quetzalcoatl”- woodburning, paint on pine.

 

“Fox Spirit”- woodburning, acrylic gouache paint on poplar.

 

Melanie Steinway woodburning insturments

“Stag Twins Guitar”- woodburning, paint, pearl.

 

"Deer Skull Guitar" Woodburning and paint.

“Deer Skull Guitar” Woodburning and paint.

 

“Gemsbok”-pen and colored pencil on paper

 

“Owl Tattoo Design”-pen and marker on paper

 

“Running Blindly”- ballpoint pen and Photoshop

 

Melanie Steinway

Melanie Steinway (Photo by Emily Owens)

 

Melanie Steinway (Photo by Emily Owens)

Melanie Steinway (Photo by Emily Owens)

 

(1) http://tytoalbamusic.com/

 

All written material by Marilyn Lavender. © Marilyn Lavender, 2015.  “All rights reserved.”

Photos by Melanie Steinway of her work.  Photos of Melanie Steinway by Emily Owens.

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Richard Brautigan: Homage to the San Francisco YMCA

Richard Brautigan: Homage to the San Francisco YMCA

Old Architecture in the West Village of NYC

I wanted to share some of my favorite areas in the West Village with you. This is a bit of my usual exploring route, that I actually have done thousands of times most likely. That doesn’t mean I’ve ever tired of it. On the contrary, I can never seem to get enough of it. For years I have loved the quiet peacefulness of Hudson Street. It is one of the most serene spots I know of in Manhattan. Much of the Village way of life doesn’t wake up and come to life until noon or later, so that makes this area all the more tranquil. If I have been shopping on Broadway in Soho for instance, even in the mid or late afternoon, and I want to escape the hustle and bustle of the city I can head further west. After crossing Seventh Avenue, as one approaches Hudson Street, the energy in Manhattan changes. There are quiet, almost remote, streets. Until one walks all the way west, before crossing the highway it is peaceful. The streets aren’t crowded in the daytime.

Through the years the cost of going out in this area has gone up substantially. I generally have been able to take long walks, sit quietly in a café or coffee shop, visit the Saint Luke’s Garden, go to the various thrift shops, or dine at a few select places I know that are affordable and fun to go to. I also have enjoyed kayaking in the Hudson River in the last few years. About a year and a half ago the Downtown Boathouse moved the kayaking down to Tribeca at Pier 26. They sponsor the whole experience of kayaking, so all I have to do is show up at the correct times, borrow a kayak and life jacket, lock up my belongings in a small locker and then a volunteer sees me off in the kayak I borrowed. So through the years since I returned to New York City, in 2007, I have been able to find fun and affordable things to do in this area, regardless of the fact that I can’t afford the fancy restaurants that fill the neighborhood. When I was much younger, before the birth of my daughter (twenty seven years ago), I used to hang out at the folk music scene in the West Village, on MacDougal Street.  I was drawn to the area when I was very young, particularly after reading about John Reed, Louise Bryant and Eugene O’Neill, who all used to hang out, and lived in the areas around Washington Square Park.

The first house in this small exploration is on Commerce Street. After a brief bit of research I discovered that the house across the courtyard was built at the same time. Both were built for a milkman. (1) (I only photographed one of them.) They have been renovated slightly differently, and perhaps, more likely actually, they may be owned by two different owners now. The roof, of a mansard type, was added later on. (2)

The second photo of houses is of numbers 4-10 Grove Street. These houses were built between 1825 and 1834, preceding the increased popularity of Greek revival forms. The doors have “rectangular top lights, the stair cases outside have hand wrought iron work and the windows are dormer types, which was characteristic of the city’s domestic Federal Style.” (3)

The third and fourth photos are Grove Court, a lovely private Court at 10 and 12 Grove Street. It is entered through the wrought iron gate. I have lost count of how many times I have walked up to this gate to peer into the lovely courtyard and look at the lovely homes. It is a treat to see it in the daytime and breathtakingly beautiful, peaceful and remote looking at night. It looks as if it must be one of the quietest places to live in Manhattan. These houses were built “in the 1850’s for workingmen.” (4)

The fifth photo is a house at 17 Grove Street, at the corner of Bedford. It is one of the “few remaining frame houses in Greenwich Village.” (5) The home was built in 1822. A work shop was built around the back of the house in 1833. The owner was in the window business and made window- sashes. Through the years a “Greek Revival Style doorway” was added in the 1830’s or 1840’s, a third story was added on, and later on a necessary but unattractive fire-escape was installed onto the house. (6) My daughter’s father actually worked on one of the renovations back in 1988.

St. Luke’s Episcopal Church is on Hudson Street, right where Grove Street meets Hudson. It is New York City’s third oldest church. When the church was built, back in 1821-22, it was “surrounded by open fields and occasional frame houses and was known as St. Luke’s-in-the-Fields.” (7) There is a private school, St. Luke’s School, on the grounds, and several brick row houses from the 1820’s. The garden at St. Luke’s is a lovely, meditative place to relax in lower Manhattan. They also have a great, small thrift shop.

I don’t have information about the houses on Commerce Street, or Morton Street. They are a continuation of the same kind of styles that were popular in the 1820’s through 1830’s. I believe the apartment building on Morton was built around 1903. During that time stone ornamentation, such as the work outside this building, was popular. There is another building similar on the same block.  The building on Barrow Street has co-ops, but I do not know when it was built or where that beautiful style of curved windows came from.

The house on Leroy Street was built in the “Federal Style of 1830.” (8) An architectural feature that can be seen on many of the Village’s houses of the period is the old “horsewalk” marked by the small door at the sidewalk level to the left of the stoop. The door opens on an enclosed alley which led to a stable in the backyard where nineteenth-century New Yorkers kept their horses. (9) The original owner, Jacob Romaine, did not stable his horse there however, if he did own one. “At the rear of his residence was a small house.” (10) This home had originally been part of the Richmond Hill estate. At the time the street was named Burton Street; it was later re-named Leroy Street.

The tiny, super skinny house is 75 1/2 Bedford Street. Its exterior measures 9-1/2 feet, the interior is 8 feet wide and 42 feet long. The house was built on a carriage way, which explains its narrow frame. The home has three floors and 990 square feet of space. It was once home to poet Edna St. Vincent Millay. Two actors also lived there, Cary Grant and John Barrymore.

The next photo, after the skinny house, is of the corner of Bedford and Barrow Streets, where the Cherry Lane Theatre was founded by Edna St. Vincent Millay and a few of her friends.

The final photo is of Grove Street, taken near the corner of Bedford in the dark, last winter during a bit of snow flurries. It is one photo but I am trying to give you a glimpse of the beauty of the area in the dark.

One thing I learned doing some of this research, and was struck by, was the difference between what kind of housing a blue collar worker could afford to buy, or was provided to live in by his or her employer, back during the 1820’s to 1830’s. It is astoundingly different than what many of us can afford nowadays. Obviously our country was started out on some good ideals, that time and the economy haven’t been able to keep up. To think a milkman owned two lovely houses on Commerce Street and that the workers were given housing in Grove Court, when today only the super wealthy can afford to live in these places – what a difference! Years ago my grandparents, who were two salespeople, owned three homes, two for rental purposes. Today it would be extremely difficult for two salespeople with five children to own three homes. It would be almost unheard of, unless they worked in some super profitable line of sales!!! I just found it somewhat shocking to find out how even in New York, so long ago, blue collar workers could afford nice homes in these really nice neighborhoods.  I assume a lot of it had to do with transportation, so that the workers were in the vicinity of the building, and work that needed to be done.

Well I hope you enjoyed this small exploration of the West Village and its lovely architecture. Once my foot heals up from my surgery and I can get out more, I will try to find some other lovely places to photograph and share with you.

 

Commerce Street

for blog bicycle in west village

The bike in front of the above house

 

Grove Street

Grove Street

 

Grove Court

Grove Court

 

Grove Court

 

Grove Street and Bedford

 

St Luke's Church on Hudson Street

St Luke’s Episcopal Church on Hudson Street

 

Commerce Street

 

Commerce Street

 

Morton Street

Morton Street

 

Barrow Street

 

Morton Street

Morton Street

 

Leroy Street

 

Bedford Street

Bedford Street

 

Corner where Cherry Lane Theatre is

 

Grove Street in the dark with snowflakes

 

(1)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.62

(2)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.62

(3)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.54

(4)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.56

(5)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.57

(6)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.55

(7)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.62

(8)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.63

(9)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.63

(10)Greenwich Village- A Photographic Guide, by Edmund T.Delaney &Charles Lockwood, pg.63

(11)http://daytoninmanhattan.blogspot.com/2010/07/1831-jacob-romaine-house-7-leroy-street.html

 

All photos and written material by Marilyn Lavender. © Marilyn Lavender, 2015.  “All rights reserved.”

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